Bassist motown records9/27/2023 1 pop hits-surpassing the record commonly attributed to The Beatles. He is reported to have played on some 95% of Motown recordings between 19. When he did, he brought Jamerson to the studio, who then played the classic line while lying flat on his back. According to fellow Funk Brothers in the 2002 documentary Standing in the Shadows of Motown, Gaye was desperate to have Jamerson play on “What’s Going On,” and went to several bars to find the bassist. Walker & the All Stars, “For Once in My Life,” “I Was Made To Love Her” by Stevie Wonder, “Going to a Go-Go” by The Miracles, “Dancing in the Street” by Martha and the Vandellas, “I Heard It Through the Grapevine” by Gladys Knight and the Pips, and later by Marvin Gaye, and most of the album What’s Going On by Marvin Gaye, “Reach Out I’ll Be There” and “Bernadette” by the Four Tops. His work includes Motown hits such as, among hundreds of others, “You Can’t Hurry Love” by The Supremes, “My Girl” by The Temptations, “Shotgun” by Jr. Jamerson’s discography at Motown reads as a catalog of soul hits of the 1960s and 1970s. Eventually, Jamerson was put on retainer with Motown for $1000 a week (US$7,600 in 2017 dollars), which afforded him and his ever-expanding family a comfortable lifestyle. For most of their career, however, the Funk Brothers went uncredited on Motown singles and albums, and their pay was considerably less than the main artists or the label received. For many years, they maintained a typical schedule of recording during the day at Motown’s small garage “Studio A” (which they nicknamed “the Snakepit”), then playing gigs in the jazz clubs at night. Like Jamerson, most of the other Funk Brothers were jazz musicians who had been recruited by Gordy. Jamerson’s earliest Motown sessions were performed on double bass, but in the early 1960s he switched to playing an electric Fender Precision Bass for the most part. This small, close-knit group of musicians performed on the vast majority of Motown recordings during most of the 1960s. There he became a member of a core of studio musicians who informally called themselves The Funk Brothers. He played bass on Marv Johnson single “Come to Me”(1959), John Lee Hooker album ” Burnin’ “(1962) and The Reflections “(Just Like) Romeo and Juliet”(1964). Starting in 1959, he found steady work at Berry Gordy’s Hitsville U.S.A. Jamerson continued performing in Detroit clubs after graduating from high school, and his increasingly solid reputation started providing him opportunities for sessions at various local recording studios. (1958–2016), was also a professional bassist. In 2011, Jamerson ranked third in The “20 Most Underrated Bass Guitarists” in Paste magazine.Ī native of Edisto Island (near Charleston), South Carolina, Jamerson moved with his mother to Detroit, Michigan in 1954 and began playing in Detroit area blues and jazz clubs. In its special “100 Greatest Bass Players” issue in 2017, Bass Player Magazine named Jamerson the number one “Greatest Bass Player”. As a session musician he played on 30 Billboard #1 hits, as well as over 70 R&B #1 hits, more than any other bass player in both categories. He was inducted into the Rock and Roll Hall of Fame in 2000. James Lee Jamerson was the uncredited bassist on most of the Motown Records hits in the 1960s and early 1970s (Motown did not list session musician credits on their releases until 1971), and is now regarded as one of the most influential bass players in modern music history. Rickenbacker Lemmy Kilmister Signature 4004LK.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |